Visual AIDS
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2009
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Support for the Robert Blanchon Estate Project.
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Mark
Blankenship
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2009
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Support to collaborate with artists from Iceland and Germany on video works for the artist’s web project The Critical Condition.
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Jane
Callister
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2009
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Support for travel to the Isle of Man to collaborate with Manx historian, documentary filmmaker and sound engineer Charles Guard on the installation Found in Translation.
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Travel
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Alejandro
Cesarco
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2009
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Support for travel to Montevideo, Uruguay to create a film portrait of the artist’s 94 year-old grandfather, a Holocaust survivor.
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Film & Video,
Travel
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William
Cordova
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2009
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Support for travel to Peru, Uruguay, and 35 US states to document certain forgotten historical landmarks associated with radical community activist groups from the 1500s to the 1960s.
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Travel
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Santiago
Cucullu
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2009
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Support for travel to Peru to research the architectural remnants of various Pre-Inca cultures in the areas of Trujillo, Chiclayo, Lima, and Cuzco, as well as the ruins of Machu Picchu. Image: Santiago Cucullu, Entre los Bifrontes. Courtesy of the artist.
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Travel
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Alejandro
Diaz
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2009
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Support to expand the artist’s “handmade sign” project to Mexico City and surrounding rural towns.
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Installation,
Painting/Drawing,
Performance
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Zackary
Drucker
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2009
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Support for travel to Berlin to collaborate with performance artist and drag queen Vaginal Davis on a photo and video project exploring contemporary trans culture of the city.
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Film & Video,
Travel
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Jon
Haddock
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2009
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Support for a digital drawing project involving personal reflections of residents of the former Soviet Union on key events foreshadowing the dissolution of the USSR, in collaboration with CECArtsLink.
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Franklin
Joyce
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2009
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Support for a collaboration between US media artist Franklin Joyce, Indonesian counter-culture icon/brand designer Dendy Darman and artist Veroland, for a project involving Becak (Bicycle taxis) and the celebration of Independence in Bandung, Java, Indonesia.
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Arnold
Kemp
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2009
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Support for a three-week residency in France to work with painter Pierre Soulages as part of the larger project BLACK ART INDEX.
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Osman
Khan
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2009
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Support for the creation of a site-specific installation in Lahore, Pakistan in which the Taj Mahal can be viewed through a live video feed.
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Simone
Leigh
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2009
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Support for travel to Durban, South Africa to research contemporary material culture in Zululand.
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Travel
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Dave
McKenzie
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2009
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Support for travel and research in Abu Dhabi, UAE and Cape Town, South Africa, for a film project based on Italo Calvino’s Marcovaldo or the Seasons in the City and Invisible Cities.
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Travel
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Angel
Nevarez and Valerie Tevere
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2009
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Support for travel to Castelfidardo, Italy to attend the 34th annual Festival Internazionale Fisarmonica and tour the Borsini factory as part of an investigation into the accordion as a popular music instrument and social activator.
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Travel
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Tuan Andrew
Nguyen
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2009
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Support for a project in Ho Chi Minh City examining communist propaganda and capitalist marketing, in which the artist rents an “advertisement” billboard to show a rotating selection of local artists’ work.
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Theater of the Two-Headed Calf
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2009
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Support for the travel to Istanbul for the development of the live soap opera Room for Cream Istanbul in collaboration with Lambda Istanbul and local queer performers and artists.
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Travel
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Robert
Pruitt
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2009
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Support for travel to Mali to research the intersection of Hip Hop and traditional Dogon culture in Bamako and the annual festival on the Niger in Ségou.
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Travel
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Duke
Riley
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2009
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Support for the artist’s return to the island Bequia in the south Caribbean to create tattoo designs combining the residents’ contemporary whaling tales and personal histories with the artist’s 19th century New England scrimshaw motifs. Image: Duke Riley, Bequia Tattoo Studio. Courtesy of the artist.
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Marc Andre
Robinson
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2009
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Support for travel to South Africa to investigate his Afrikaners roots, creating an event on the land that was once a family farm to be documented by Google Earth.
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Travel
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Ginger Brooks
Takahashi
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2009
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Support for a research trip to Mongolia on the Trans-Siberian Railway, inspired by Ulrike Ottinger’s film Johanna d’Arc of Mongolia, to examine strategies for nomadic living, shared labor and non-mechanized textile production.
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Hong-Kai
Wang
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2009
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Support for the project Watching Dust, in which excerpts from Robert Ashley’s opera Dust are performed for “comfort women” survivors at the Taipei Women’s Rescue Foundation in Taiwan.
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