Postcommodity
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2012
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Support for The Repellent Fence, a site-specific installation and monument examining the Tohono O’odham border experience as a metaphor for the Western hemispheres larger Indigenous human rights crisis. Image: Courtesy of the artists.
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Nicole
Awai
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2012
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Support for travel to La Brea Pitch Lake in Trinidad.
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Painting/Drawing,
Travel
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Rozalinda
Borcilǎ
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2012
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Support for travel and research into extraterritorial zones in the US, with a focus on Foreign Trade Zones (FTZs) and Immigrant Detention Centers.
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Travel
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Che
Chen
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2012
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Support for research in Mauritania into Haratine and Beydane contemporary music culture. Image: Che Chen, Island Cultures: Chott-El-Jerrid, Tunisia. Courtesy of the artist.
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Sandra
de la Loza
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2012
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Support for ongoing work. Image: Sandra de la Loza, The Art of Lockpicking, The Lockpicking of Art. Courtesy of the artist.
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Sergio
De La Torre
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2012
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Support for Noise, the third chapter of a video trilogy exploring Chinese immigration in Mexico.
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Harry
Dodge
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2012
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Support for ongoing work.
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Daniel
Duford
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2012
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Support for Ringing the Temple Bell, a three-day event involving performances, workshops, and the building of an earthen bread oven/kiln. Image: Daniel Duford, The Bees Made Honey in the Lion’s Head. Courtesy of the artist.
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Kate
Gilmore
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2012
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Support for ongoing work.
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Renée
Green
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2012
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Support for Returning Kaleidoscopic Migration Constellations, a film involving movements of people in the history of California, New York, Brazil, Vienna, and Berlin. Image: Renee Green, Endless Dreams and Water Between, 2009. Courtesy of the artist.
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Wynne
Greenwood
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2012
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Support for new work inspired by the Serbian mythological creature Azdaja, to be presented at Drugstore, a queer cultural space in Belgrade.
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Trajal
Harrell
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2012
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Support for travel to Japan to research Tatsumi Hijikata, founder of Butoh dance, starting with the question, “how does one vogue Tatsumi Hijikata?”
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Travel
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Pablo
Helguera
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2012
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Support for ongoing work.
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Laryssa
Husiak
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2012
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Support for ongoing work.
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Mary
Jeys
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2012
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Support for ongoing work.
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Jennie C.
Jones
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2012
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Support for the artist’s Acoustic Painting series, which uses soundproofing materials from industrial settings to bridge two-dimensional works and audio pieces.
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Vishal
Jugdeo
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2012
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Support for a video project in Kolkata, India involving the port of departure, globalization, and tolerance of marginal sexualities.
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Deana
Lawson
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2012
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Support for travel to Haiti, Jamaica, and Ghana to continue the artists portraiture photography work.
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Photography,
Travel
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Ander
Mikalson
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2012
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Support for ongoing work.
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Irvin
Morazan
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2012
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Support for ongoing work.
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Travel
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Alison
O'Daniel
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2012
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Support for The Tuba Thieves, a film project exploring the recurring theft of sound in Southern California.
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Akosua Adoma
Owusu
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2012
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Support for travel to work on a film adaptation about Kwaku Ananse, a folk hero in West African fables.
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Film & Video,
Travel
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Vesna
Pavlović
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2012
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Support for ongoing work.
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Paul
Pfeiffer
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2012
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Support for the film Vitruvian Figure (2014), documenting the production process of the artist’s warehouse-sized architectural model of the Philippine Arena mega-church currently under construction in the outskirts of Manila.
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Film & Video,
Travel
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Elaine
Reichek
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2012
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Support for travel to London for research on embroidery artist Mary Linwood.
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Travel
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Miljohn
Ruperto
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2012
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Support for a film project involving travel to Johannesburg, South Africa and England, for interviews with former members of an anti-apartheid group. Image: Miljohn Ruperto, Arden Cho as Isabel Rosario Cooper. Courtesy of the artist.
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Travel
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Lisa
Sigal
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2012
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Support for ongoing work.
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Hong-An
Truong
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2012
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Support for travel to Vietnam for the creation of the video A Chilly Night at a Desolate Palace, juxtaposing Stravinsky’s The Rite of Spring with the Vietnamese folk opera, cải-lương. Image: Hong-An Truong, untitled. Courtesy of the artist.
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Film & Video,
Travel
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Molly Jae
Vaughan
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2012
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Support for ongoing work.
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Stacy Lynn
Waddell
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2012
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Support for ongoing work.
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Will
Wilson
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2012
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Support for Towards a Critical Indigenous Photographic Exchange, a project inviting indigenous artists, arts professionals, and tribal governance to engage in the performative ritual that is the studio portrait.
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Geo
Wyeth
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2012
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Support to document a series of site-specific, research-driven performances in rural South Carolina and Alabama as part of an ongoing performance project Haunts.
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