#XMAP: In Plain Sight
|
2020
|
|
Fellowship.
|
Film & Video,
Performance,
Photography,
Travel,
Transdisciplinary/Interdisciplinary,
Multimedia
|
Karim
Aïnouz
|
1993
|
|
Fellowship.
|
|
The
Aadizookaan
|
2017
|
|
Fellowship.
|
Film & Video,
Installation,
Painting / Drawing,
Performance,
Photography,
Research,
Travel,
Printmaking
|
The
Aadizookaan
|
2017
|
|
Fellowship.
|
Film & Video,
Installation,
Painting / Drawing,
Performance,
Photography,
Research,
Travel,
Printmaking
|
Patrick
Abbey
|
1996
,
1995
|
|
Fellowship.
|
|
Amara
Abdal Figueroa
|
2019
|
|
Fellowship.
|
Photography,
Research,
Travel,
Sculpture
|
Leila
Abdelrazaq
|
2018
|
|
Fellowship.
|
Film & Video,
Painting / Drawing,
Research,
Printmaking
|
Leila
Abdelrazaq
|
2018
|
|
Fellowship.
|
Film & Video,
Painting / Drawing,
Research,
Printmaking
|
Reza
Abdoh
|
1991
|
|
Fellowship.
|
|
Ray
Abeyta
|
1996
,
1995
|
|
Fellowship.
|
|
Lynda M.
Abraham
|
1996
,
1995
|
|
Fellowship.
|
|
James
Acord
|
1993
|
|
Fellowship.
|
|
Margaret
Adachi
|
1996
,
1995
|
|
Fellowship.
|
|
Kevin
Adams
|
1993
|
|
Fellowship.
|
|
Dennis
Adams
|
1987
|
|
Fellowship.
|
|
Peggy
Ahwesh
|
1994
,
1990
|
|
Fellowship.
|
|
Marc
Alan
|
1996
,
1995
|
|
Fellowship.
|
|
Seyed
Alavi
|
1992
,
1990
,
1989
|
|
Fellowship.
|
|
Alice
Albert
|
1986
|
|
Fellowship.
|
|
Marie-France
Alderman
|
1990
|
|
Fellowship.
|
|
Rheim
Alkadhi
|
2010
|
|
Support for travel to Syria and Jordan to conduct interviews with displaced Iraqis, including members of the artist’s extended family, towards a series of experimental videos.
|
Travel
|
Mark
Allen
|
2014
|
|
Research support for new models of artistic collaboration based on Allen’s work as director of Machine Project in Los Angeles.
|
Research
|
William
Allen
|
1988
|
|
Fellowship.
|
|
Jo Harvey
Allen
|
1985
|
|
Fellowship.
|
|
Allied Arts
|
1987
|
|
Organizational support.
|
|
Catherine
Allport
|
1986
|
|
Fellowship.
|
|
Jerri
Allyn
|
1989
,
1986
|
|
Fellowship.
|
|
Max
Almy
|
1997
|
|
Fellowship.
|
|
Edith
Altman
|
1993
|
|
Fellowship.
|
|
Claudia
Alvarez
|
2013
|
|
Support for travel to Mexico City for research at the Museo Nacional de Antropología and the Ceramoteca Research Center towards a new body of work.
|
Painting/Drawing,
Travel
|
Miguel
Alvear
|
1994
|
|
Fellowship.
|
|
Maryanne
Amacher/Jessie Jane Lewis
|
1990
,
1988
|
|
Fellowship.
|
|
Jesse
Amado
|
1992
|
|
Fellowship.
|
|
Michael
Amescua
|
1990
|
|
Fellowship.
|
|
Emma
Amos
|
1993
|
|
Fellowship.
|
|
Mary
Anderson
|
1994
|
|
Fellowship.
|
|
Mark
Anderson
|
1987
,
1986
|
|
Fellowship.
|
|
Jo
Anderson
|
1993
|
|
Fellowship.
|
|
Douglas
Anderson
|
1993
|
|
Fellowship.
|
|
Jo
Andres
|
1987
,
1986
|
|
Fellowship.
|
|
Nancy
Andrews
|
1990
|
|
Fellowship.
|
|
Holland
Andrews
|
2020
|
|
Fellowship.
|
Performance,
Transdisciplinary/Interdisciplinary
|
Carl
Angel
|
1994
|
|
Fellowship.
|
|
Dona
Ann
|
1992
|
|
Fellowship.
|
|
Art Awareness, Inc.
|
1987
,
1986
|
|
Organizational support.
|
|
Art Museum of South Texas
|
1986
|
|
Organizational support.
|
|
Art Works
|
1986
|
|
Organizational support.
|
|
Artist Trust
|
1988
|
|
Organizational support.
|
|
Artists Space
|
1988
,
1987
,
1986
,
1985
|
|
Organizational support.
|
|
Artspace
|
1988
|
|
Organizational support.
|
|
Aspen Art Museum
|
1987
,
1985
|
|
Organizational support.
|
|
Ron
Athey
|
2018
|
|
Fellowship.
|
Film & Video,
Performance,
Photography,
Research
|
Ron
Athey
|
2018
|
|
Fellowship.
|
Film & Video,
Performance,
Photography,
Research
|
BACA Downtown
|
1988
,
1987
,
1986
,
1985
|
|
Organizational support.
|
|
Chloë
Bass
|
2018
|
|
Fellowship.
|
Film & Video,
Performance,
Photography,
Research,
Travel
|
Chloë
Bass
|
2018
|
|
Fellowship.
|
Film & Video,
Performance,
Photography,
Research,
Travel
|
Bemis Foundation
|
1988
,
1987
|
|
Organizational support.
|
|
Klee
Benally
|
2021
|
|
Fellowship.
|
Film & Video,
Installation,
Painting / Drawing,
Performance,
Research,
Printmaking,
Transdisciplinary/Interdisciplinary,
Multimedia
|
Klee
Benally
|
2021
|
|
Fellowship.
|
Film & Video,
Installation,
Painting / Drawing,
Performance,
Research,
Printmaking,
Transdisciplinary/Interdisciplinary,
Multimedia
|
Beyond Baroque Foundation
|
1988
|
|
Organizational support.
|
|
Big Star Art Space
|
1989
|
|
Organizational support.
|
|
Black International Cinema
|
1989
|
|
Organizational support.
|
|
Black Salt Collective
|
2016
|
|
Support for the ongoing performance and archiving work of this Black, Brown and Indigenous women artist collective.
|
Film & Video,
Installation,
Painting / Drawing,
Performance
|
Black Salt Collective
|
2016
|
|
Support for the ongoing performance and archiving work of this Black, Brown and Indigenous women artist collective.
|
Film & Video,
Installation,
Painting / Drawing,
Performance
|
Bronx Council
|
1987
|
|
Organizational support.
|
|
Center for Contemporary Art
|
1986
|
|
Organizational support.
|
|
Frank
Chi
|
2016
|
|
Support for a new short film that remixes imagery from the women's suffrage movement.
|
Film & Video
|
Frank
Chi
|
2016
|
|
Support for a new short film that remixes imagery from the women's suffrage movement.
|
Film & Video
|
Tiffany
Chung
|
2022
|
|
Fellowship.
|
Film & Video,
Installation,
Painting / Drawing,
Photography,
Research,
Sculpture,
Transdisciplinary/Interdisciplinary,
Multimedia
|
Tiffany
Chung
|
2022
|
|
Fellowship.
|
Film & Video,
Installation,
Painting / Drawing,
Photography,
Research,
Sculpture,
Transdisciplinary/Interdisciplinary,
Multimedia
|
Lenka
Clayton
|
2018
|
|
Fellowship.
|
Film & Video,
Installation,
Performance,
Photography,
Research,
Sculpture
|
Lenka
Clayton
|
2018
|
|
Fellowship.
|
Film & Video,
Installation,
Performance,
Photography,
Research,
Sculpture
|
Collective for Living Cinema
|
1989
,
1987
,
1986
|
|
Organizational support.
|
|
Complex Movements
|
2016
|
|
Support for the collective’s ongoing multi-media performance and installation work engaging community-led social justice movements in Detroit and beyond.
|
Film & Video,
Installation,
Performance,
Research
|
Complex Movements
|
2016
|
|
Support for the collective’s ongoing multi-media performance and installation work engaging community-led social justice movements in Detroit and beyond.
|
Film & Video,
Installation,
Performance,
Research
|
Contemporary Arts Center
|
1988
|
|
Organizational support.
|
|
Critical Art Ensemble
|
2007
|
|
Support for ongoing work.
|
|
DanceSpace
|
1986
|
|
Organizational support.
|
|
Oletha
DeVane
|
2017
|
|
Fellowship.
|
Film & Video,
Installation,
Painting / Drawing,
Research,
Travel,
Printmaking
|
Oletha
DeVane
|
2017
|
|
Fellowship.
|
Film & Video,
Installation,
Painting / Drawing,
Research,
Travel,
Printmaking
|
Dinosaur Productions
|
1988
|
|
Organizational support.
|
|
Dixon Place/Open Channels, Inc.
|
1987
|
|
Organizational support.
|
|
Eve
Fowler
|
2017
|
|
Fellowship.
|
Film & Video,
Painting / Drawing
|
Eve
Fowler
|
2017
|
|
Fellowship.
|
Film & Video,
Painting / Drawing
|
Franklin Furnace
|
1987
|
|
Organizational support.
|
|
Free Black Dirt
|
2017
|
|
Fellowship.
|
Film & Video,
Installation,
Performance
|
Free Black Dirt
|
2017
|
|
Fellowship.
|
Film & Video,
Installation,
Performance
|
Ricardo
Gamboa
|
2017
|
|
Fellowship.
|
Film & Video,
Performance,
Research
|
Ricardo
Gamboa
|
2017
|
|
Fellowship.
|
Film & Video,
Performance,
Research
|
Group Material
|
1988
,
1987
|
|
Fellowship.
|
|
Harvestworks
|
1986
|
|
Organizational support.
|
|
Taro
Hattori
|
2016
|
|
Support for Rolling Counterpoint, a mobile teahouse that provides a platform for discussions around inequities within local communities.
|
Film & Video,
Installation,
Performance,
Photography
|
Taro
Hattori
|
2016
|
|
Support for Rolling Counterpoint, a mobile teahouse that provides a platform for discussions around inequities within local communities.
|
Film & Video,
Installation,
Performance,
Photography
|
James T.
Hong
|
2018
|
|
Fellowship.
|
Film & Video,
Installation,
Performance,
Photography,
Research,
Travel
|
James T.
Hong
|
2018
|
|
Fellowship.
|
Film & Video,
Installation,
Performance,
Photography,
Research,
Travel
|
Xandra
Ibarra
|
2016
|
|
Support for the development of a new movement-based performance about corporeal inhabitation, racialized skin and concealment in the age of surveillance.
|
Film & Video,
Performance,
Photography
|
Xandra
Ibarra
|
2016
|
|
Support for the development of a new movement-based performance about corporeal inhabitation, racialized skin and concealment in the age of surveillance.
|
Film & Video,
Performance,
Photography
|
Igor Foundation
|
1986
|
|
Organizational support.
|
|
Intar
|
1988
|
|
Organizational support.
|
|
Keith Calhoun and Chandra McCormick
|
2018
|
|
Fellowship.
|
Film & Video,
Installation,
Photography
|
Keith Calhoun and Chandra McCormick
|
2018
|
|
Fellowship.
|
Film & Video,
Installation,
Photography
|
Baseera
Khan
|
2018
|
|
Fellowship.
|
Film & Video,
Installation,
Performance,
Photography,
Research,
Printmaking,
Sculpture
|
Baseera
Khan
|
2018
|
|
Fellowship.
|
Film & Video,
Installation,
Performance,
Photography,
Research,
Printmaking,
Sculpture
|
Gelare
Khoshgozaran
|
2017
|
|
Fellowship.
|
Film & Video,
Installation
|
Gelare
Khoshgozaran
|
2017
|
|
Fellowship.
|
Film & Video,
Installation
|
LA Museum of Contemporary Art
|
1992
|
|
Organizational support.
|
|
LACE
|
1988
,
1987
,
1986
|
|
Organizational support.
|
|
Life on the Water Theater
|
1989
,
1987
|
|
Organizational support.
|
|
Los Angeles Fringe Festival
|
1989
|
|
Organizational support.
|
|
Los Angeles Poverty Department
|
1988
|
|
Organizational support.
|
|
Mev
Luna
|
2018
|
|
Fellowship.
|
Film & Video,
Installation,
Performance
|
Mev
Luna
|
2018
|
|
Fellowship.
|
Film & Video,
Installation,
Performance
|
MATRIX Program/UC Berkeley
|
1988
|
|
Organizational support.
|
|
Guadalupe
Maravilla
|
2017
|
|
Fellowship.
|
Film & Video,
Performance,
Photography
|
Guadalupe
Maravilla
|
2017
|
|
Fellowship.
|
Film & Video,
Performance,
Photography
|
Jennifer
Maytorena Taylor
|
2018
|
|
Fellowship.
|
Film & Video
|
Jennifer
Maytorena Taylor
|
2018
|
|
Fellowship.
|
Film & Video
|
Naotaka Hiro & Sid M. Dueñas
|
2014
|
|
Support for ongoing work.
|
Film & Video,
Installation,
Painting/Drawing,
Performance,
Photography,
Research,
Travel
|
National Campaign for Freedom of Expression
|
1993
,
1992
|
|
Organizational support.
|
|
Nexus
|
1986
|
|
Organizational support.
|
|
Holly
Nordlum
|
2016
|
|
Support for Tupik Mi, a film and community based project dedicated to the revitalization of traditional tattooing amongst Inuit women.
|
Film & Video,
Photography,
Research
|
Holly
Nordlum
|
2016
|
|
Support for Tupik Mi, a film and community based project dedicated to the revitalization of traditional tattooing amongst Inuit women.
|
Film & Video,
Photography,
Research
|
Laura
Ortman
|
2016
|
|
Support for the recording and collection of sounds, songs, stories and voices of Native Americans in the New York City area to take the form of an experimental album.
|
Film & Video,
Installation,
Painting / Drawing,
Performance,
Research,
Travel
|
Laura
Ortman
|
2016
|
|
Support for the recording and collection of sounds, songs, stories and voices of Native Americans in the New York City area to take the form of an experimental album.
|
Film & Video,
Installation,
Painting / Drawing,
Performance,
Research,
Travel
|
Otrabanda Company
|
1989
,
1988
|
|
Organizational support.
|
|
P.S. 122
|
1987
,
1986
,
1985
|
|
Organizational support.
|
|
PCVA
|
1986
|
|
Organizational support.
|
|
Parabola Arts Foundation, Inc.
|
1987
|
|
Organizational support.
|
|
Pentacle
|
1987
,
1986
|
|
Organizational support.
|
|
Performance Project
|
1986
|
|
Organizational support.
|
|
Sondra
Perry
|
2016
|
|
Support for video work involving the NCAA’s use of the artist’s twin brother’s likeness.
|
Film & Video,
Installation,
Performance
|
Sondra
Perry
|
2016
|
|
Support for video work involving the NCAA’s use of the artist’s twin brother’s likeness.
|
Film & Video,
Installation,
Performance
|
Omar
Pimienta
|
2017
|
|
Fellowship.
|
Film & Video,
Installation,
Performance,
Photography,
Research,
Travel,
Printmaking
|
Omar
Pimienta
|
2017
|
|
Fellowship.
|
Film & Video,
Installation,
Performance,
Photography,
Research,
Travel,
Printmaking
|
Postcommodity
|
2012
|
|
Support for The Repellent Fence, a site-specific installation and monument examining the Tohono O’odham border experience as a metaphor for the Western hemispheres larger Indigenous human rights crisis. Image: Courtesy of the artists.
|
|
Charles
Preston
|
2018
|
|
Fellowship.
|
Film & Video,
Performance,
Research
|
Charles
Preston
|
2018
|
|
Fellowship.
|
Film & Video,
Performance,
Research
|
Primary Performance Group
|
1987
|
|
Organizational support.
|
|
Printmaking Workshop
|
1987
|
|
Organizational support.
|
|
Naima
Ramos-Chapman
|
2017
|
|
Fellowship.
|
Film & Video
|
Naima
Ramos-Chapman
|
2017
|
|
Fellowship.
|
Film & Video
|
Randolph Street Gallery
|
1987
|
|
Organizational support.
|
|
Renaissance Society
|
1988
,
1987
|
|
Organizational support.
|
|
Gisela
Rosario Ramos
|
2018
|
|
Fellowship.
|
Film & Video,
Performance
|
Gisela
Rosario Ramos
|
2018
|
|
Fellowship.
|
Film & Video,
Performance
|
Sculpture Space
|
1988
,
1986
,
1985
|
|
Organizational support.
|
|
Ahya
Simone
|
2018
|
|
Fellowship.
|
Film & Video,
Performance
|
Ahya
Simone
|
2018
|
|
Fellowship.
|
Film & Video,
Performance
|
Spaces
|
1986
|
|
Organizational support.
|
|
Studio Revolt
|
2017
|
|
Fellowship.
|
Film & Video,
Installation,
Performance,
Photography,
Travel
|
Studio Revolt
|
2017
|
|
Fellowship.
|
Film & Video,
Installation,
Performance,
Photography,
Travel
|
Sushi, Inc.
|
1992
,
1988
,
1986
,
1985
|
|
Organizational support.
|
|
TODT
|
1987
,
1985
|
|
Organizational support.
|
|
Tina
Takemoto
|
2016
|
|
Support for the third in a trilogy of experimental films about queer Japanese life during American wartime imprisonment.
|
Film & Video,
Performance,
Research
|
Tina
Takemoto
|
2016
|
|
Support for the third in a trilogy of experimental films about queer Japanese life during American wartime imprisonment.
|
Film & Video,
Performance,
Research
|
Talalay
|
1988
|
|
Organizational support.
|
|
The Kitchen
|
1989
,
1988
,
1987
,
1986
|
|
Organizational support.
|
|
Time and Space Limited
|
1988
|
|
Organizational support.
|
|
Rodrigo
Valenzuela
|
2016
|
|
Support for video work about unpaid labor, volunteering, and internship culture.
|
Film & Video,
Installation,
Photography
|
Rodrigo
Valenzuela
|
2016
|
|
Support for video work about unpaid labor, volunteering, and internship culture.
|
Film & Video,
Installation,
Photography
|
Visual AIDS
|
1988
|
|
Organizational support.
|
|
Visual AIDS
|
2009
|
|
Support for the Robert Blanchon Estate Project.
|
|
Visual AIDS
|
1989
|
|
Organizational support.
|
|
Judith
Walgren
|
2016
|
|
Support for photographic and video work towards an alternate curriculum challenging existing K-5th grade California Mission studies.
|
Film & Video,
Photography,
Research,
Travel
|
Judith
Walgren
|
2016
|
|
Support for photographic and video work towards an alternate curriculum challenging existing K-5th grade California Mission studies.
|
Film & Video,
Photography,
Research,
Travel
|
White Columns
|
1988
,
1986
|
|
Organizational support.
|
|
Women & Studio
|
1986
|
|
Organizational support.
|
|
XCHANGE TV
|
1986
|
|
Organizational support.
|
|
Barak
adé Soleil
|
2020
|
|
Fellowship.
|
Performance,
Research,
Transdisciplinary/Interdisciplinary
|
robbinschilds
|
2010
|
|
Support for travel to Iceland to film the artists moving in extreme landscapes for a new video/performance piece involving the feminist reworking of the “man alone” trope.
|
Travel
|